The 1990s stand as a monumental decade for alternative rock, a genre that blossomed from the fertile ground of 1980s non-conformist music. Bands like Joy Division, The Cure, The Smiths, Pixies, and Sonic Youth paved the way, fostering an environment where artistic experimentation thrived, and independent music labels flourished across the US and UK. This era uniquely blurred the lines between alternative and mainstream rock, as sounds like jangle-pop and grunge permeated popular culture. The rise of Britpop in the UK further expanded the sonic landscape, influencing North America and solidifying the 90s as a golden age for rock music innovation.
For this curated list of the top 100 alternative rock albums of the 90s, we’ve embraced a broad definition of “alternative,” reflecting its near-mainstream convergence during this period. Our selection encompasses indie rock, post-punk, jangle-pop, grunge, noise rock, experimental rock, new wave, Madchester, slacker rock, Britpop, shoegaze, and college rock – all integral facets of the vibrant 90s alternative rock scene. While primarily focused on rock, we’ve included some indie pop, indie folk, and industrial albums that carry significant rock elements or are intrinsically linked to the alternative and indie rock ethos. Genres like metal, ska, hip-hop, hardcore punk, and mainstream pop are generally excluded, unless they exhibit notable alternative or indie rock characteristics. If you’re interested in exploring the songs that defined this era, be sure to check out our companion piece: Top 100 Greatest Alternative Rock Songs of the ’90s.
(Pictured – Radiohead 2017)
- OK Computer – Radiohead
Universally lauded upon its 1997 release, OK Computer transcends being merely the best alternative rock album of the 90s; it stands as a landmark achievement in music history since 1990. At a time when grunge was receding in the US and Britpop was waning in the UK, Radiohead delivered a record that was both a response to and a departure from the prevailing musical trends. OK Computer‘s enigmatic darkness and meticulously crafted songs resonated profoundly with critics and listeners alike, even as they grappled with its complex themes. Thom Yorke’s distinctive vocal style offered a stark contrast to the Britpop dominance of Liam Gallagher and Damon Albarn, captivating audiences in a post-Britpop landscape. Decades ahead of its time, OK Computer irrevocably altered the trajectory of rock music, pushing artistic boundaries and inspiring countless musicians. From the opening strains of Airbag to the final notes of The Tourist, OK Computer is a cohesive masterpiece, the Dark Side of the Moon of the 90s alternative scene.
- Nevermind – Nirvana
Grunge’s unprecedented surge in the early 90s saw Nirvana’s Nevermind as its defining moment, capturing the zeitgeist of a generation. Released shortly after Pearl Jam’s Ten, Nevermind resonated deeply with angsty youth across America, propelling alternative rock into the mainstream consciousness like never before. Tracks like Smells Like Teen Spirit, Lithium, and Come as You Are became anthems of the decade, with Smells Like Teen Spirit achieving iconic status. Kurt Cobain’s introspective and often melancholic lyrics, coupled with his raw and infectious guitar style, struck a chord with millions, establishing a lasting impact that continues nearly three decades later. Nevermind remains the quintessential grunge album, introducing the Seattle sound to a global audience before Cobain’s tragic passing marked the end of an era.
- In the Aeroplane Over the Sea – Neutral Milk Hotel
Initially overlooked, Neutral Milk Hotel’s In the Aeroplane Over the Sea gradually emerged as a cult classic and a cornerstone of 90s indie rock in the early to mid-2000s. Despite a limited initial pressing and tours in smaller venues, the band gained a reputation for their chaotic and legendary live performances. However, Neutral Milk Hotel disbanded before the album’s true brilliance was widely recognized. Years later, retrospective reviews began to surface, often awarding the album perfect scores, and influential bands like The Decemberists, Arcade Fire, and Beirut cited it as a major inspiration. Jeff Mangum, the enigmatic frontman, became an almost mythical figure as his masterpiece gained traction. In the Aeroplane Over the Sea‘s unique blend of psychedelic elements with folk, rock, and pop sensibilities unexpectedly resulted in one of the most enduring and impactful albums of the decade.
- What’s the Story (Morning Glory) – Oasis
Oasis, a cornerstone of 90s alt rock bands, sparked a debate among fans: was Definitely Maybe or What’s the Story (Morning Glory)? their magnum opus? Regardless of preference, What’s the Story (Morning Glory)?, released in 1995, undeniably achieved greater and more enduring international success, introducing Britpop to a wider American audience. Anthems like Wonderwall, Champagne Supernova, and Don’t Look Back in Anger became Britpop staples, with Wonderwall attaining an iconic status of its own. Beyond its cultural impact, the album was—and remains—a near-perfect embodiment of alternative rock ideals, blending post-Madchester sounds with a revival of classic British glam rock. What’s the Story (Morning Glory)? marked the global peak of Britpop, garnering widespread acclaim both within and beyond mainstream circles.
- Slanted & Enchanted – Pavement
Despite critical acclaim and a dedicated indie following, Pavement remained largely under the radar for mainstream American listeners throughout their 90s heyday. Neither their 1992 debut Slanted and Enchanted nor 1994’s Crooked Rain, Crooked Rain broke into the US Top 100 charts, with Slanted and Enchanted failing to chart entirely. Nonetheless, Pavement’s debut was a seminal work, characterized by its quirky, bright guitar work and Stephen Malkmus’s monotone, often humorous lyrics that resonated deeply with those disillusioned by mainstream rock. Slanted & Enchanted became a defining album of the slacker rock movement, its lo-fi aesthetic, catchy melodies, deadpan vocals, minimalist production, and rejection of glamor setting it apart. Some critics and fans even argue that Pavement was the quintessential 90s alternative rock band, a testament to Slanted & Enchanted‘s enduring influence.
- Dookie – Green Day
Green Day’s Dookie, released in 1994, catapulted them from a regional California act to a national phenomenon, becoming a pivotal force in American rock music. Emerging in a transitional period between hardcore punk’s decline in the 80s and the rise of pop-punk, Dookie carved its own niche. While structurally simple with short, punchy songs, Dookie‘s infectious energy and knack for melody were undeniable. Green Day bridged the gap between mainstream audiences and punk and underground rock enthusiasts, becoming anthemic for an entire generation. The album’s mid-section, featuring tracks like She, Longview, Basket Case, Welcome to Paradise, and When I Come Around, is a run of exceptional rock songs. Dookie‘s authentic punk energy, catchy hooks, and polished production served as a crucial link between 80s punk and the burgeoning pop-punk scene of the late 90s.
- Ten – Pearl Jam
Released just a month before Nirvana’s Nevermind, Pearl Jam’s debut Ten was not overshadowed, but rather stood alongside it as a cornerstone of the early 90s grunge explosion. The burgeoning Seattle scene had ample attention to share, with bands like Soundgarden and Alice in Chains also gaining prominence. Ten is frequently cited as one of the greatest American rock albums ever, celebrated within and beyond the grunge community. Its brilliance was immediately recognized across the US, blending powerful guitar riffs with emotionally charged lyrics, distortion, and raw energy. Pearl Jam crafted a sound that was distinctly Seattle yet uniquely their own, anchored by Eddie Vedder’s iconic and recognizable vocals. Guitarist Mike McCready’s expressive, feel-based playing style further defined Pearl Jam’s signature sound, eschewing technicality for raw emotion.
- Automatic For the People – R.E.M.
R.E.M., a band synonymous with American alternative rock, consistently evolved and refined their sound since their 1983 debut Murmur. Throughout the 80s, they dominated college radio and occasionally crossed into the mainstream. The 90s saw no dip in their creativity, with their eighth studio album, Automatic for the People, released in 1992, emerging as their masterpiece. Nine years after their debut, R.E.M. unveiled a deeper, more emotionally resonant side. Songs like Nightswimming and Everybody Hurts showcased a vulnerability and heartfelt quality rarely explored by alternative rock bands. Man on the Moon offered a more radio-friendly rock sound with its intriguing lyrics, while tracks like Drive and Monty Got a Raw Deal delved into darker, more haunting territory. Automatic for the People explored darker themes more profoundly than its predecessor Out of Time, demonstrating R.E.M.’s enduring confidence, freshness, and creative peak over a decade into their career, a testament to the artistic vibrancy of Athens, Georgia.
- Loveless – My Bloody Valentine
My Bloody Valentine’s Loveless, released in 1991, is widely regarded as the definitive shoegaze album, surpassing its peers by a significant margin. Praised for its groundbreaking use of guitar effects, innovative production, and ethereal vocals, Loveless created an immersive and otherworldly sonic landscape. The album’s dense layers of sound, combined with Kevin Shields’s unique guitar techniques, established a new benchmark for musical experimentation, influencing artists across diverse genres. Despite its famously protracted and challenging production, Loveless emerged as a masterpiece of sonic texture and emotional depth, capturing the spirit of its era while transcending it. Celebrated by artists ranging from Robert Smith of The Cure to Billy Corgan of Smashing Pumpkins, Loveless was so groundbreaking that, much like OK Computer, it took listeners years to fully comprehend its impact. Blending avant-garde musical concepts with noise rock and dream pop, Loveless stands as the most innovative alternative rock album to emerge from the shoegaze movement.
- Grace – Jeff Buckley
Jeff Buckley’s Grace, his sole studio album released in 1994, is a testament to his unique fusion of jazz, folk, and rock, resulting in one of the most compelling and distinctive solo albums of the 90s. Grace has become a cornerstone of alternative rock, distinguished by its unconventional approach. Buckley’s exceptional vocal range and his seamless blend of folk, rock, jazz, and blues created an album of profound emotional depth and musical sophistication. Grace features primarily original compositions alongside select covers, most notably his haunting rendition of Leonard Cohen’s Hallelujah, showcasing Buckley’s ability to infuse each note with intense emotional resonance. Beyond Hallelujah, Lover, You Should’ve Come Over is a standout track, evolving from a tender ballad into a powerful and emotionally charged expression of longing. Buckley’s untimely death two years later left a void, leaving the world to wonder what further musical innovations he might have achieved.
- Last Splash – The Breeders
The Breeders’ Last Splash (1993) is a quintessential indie rock album of the 90s, known for its catchy melodies, Kim Deal’s distinctive vocals, and playful, energetic sound. Tracks like “Cannonball” became instant classics, solidifying the album’s place in alternative rock history.
- The Mollusk – Ween
Ween’s The Mollusk (1997) is a psychedelic and eclectic journey, showcasing the band’s genre-bending approach. From sea shanties to quirky rock anthems, the album is a testament to Ween’s unique and experimental sound within the 90s alternative scene.
- If You’re Feeling Sinister – Belle & Sebastian
Belle & Sebastian’s If You’re Feeling Sinister (1996) is a defining album of indie pop, characterized by its gentle melodies, introspective lyrics, and Stuart Murdoch’s soft vocals. It’s a delicate and charming album that resonated within the indie and alternative circles of the 90s.
- Where You Been – Dinosaur Jr.
Dinosaur Jr.’s Where You Been (1993) is a showcase of J Mascis’s signature guitar work and introspective songwriting. Heavy, melodic, and undeniably 90s alternative, it solidified Dinosaur Jr.’s status as indie rock pioneers.
- Crooked Rain, Crooked Rain – Pavement
Pavement’s Crooked Rain, Crooked Rain (1994) further cemented their slacker rock aesthetic with witty lyrics and jangly guitars. Albums like this helped define the indie sound of 90s alternative rock, emphasizing authenticity over polish.
- The Bends – Radiohead
Radiohead’s The Bends (1995) is a bridge between their earlier work and the masterpiece that would follow (OK Computer). It’s a more guitar-driven album than OK Computer but still showcases their evolving sound and Thom Yorke’s increasingly poignant songwriting.
- Screamadelica – Primal Scream
Primal Scream’s Screamadelica (1991) is a groundbreaking fusion of indie rock and dance music. Its psychedelic and euphoric sound, featuring tracks like “Loaded,” made it a defining album of the Madchester scene and 90s alternative culture.
- Parklife – Blur
Blur’s Parklife (1994) is a quintessential Britpop album, capturing the spirit of 90s British culture with witty lyrics and catchy melodies. It established Blur as major players in the Britpop movement and the broader alternative rock landscape.
- I Can Hear the Heart Beating as One – Yo La Tengo
Yo La Tengo’s I Can Hear the Heart Beating as One (1997) showcases their eclectic and experimental approach to indie rock. From noise rock to gentle ballads, it’s a diverse and rewarding listen for fans of 90s alternative.
- Pinkerton – Weezer
Weezer’s Pinkerton (1996) is a polarizing but ultimately influential album. Darker and more emotionally raw than their debut, it’s a cult classic that showcases a different side of Weezer and 90s alternative rock.
- Siamese Dream – Smashing Pumpkins
Smashing Pumpkins’ Siamese Dream (1993) is a sprawling and ambitious album, blending heavy rock with melodic sensitivity. Billy Corgan’s songwriting and the band’s dynamic sound made it a standout in the 90s alternative scene.
- Goo – Sonic Youth
Sonic Youth’s Goo (1990) is a landmark album in noise rock, showcasing their experimental guitar tunings and dissonant yet melodic sound. It was highly influential for alternative bands in the 90s and beyond.
- Violator – Depeche Mode
Depeche Mode’s Violator (1990) is a synth-pop masterpiece that transcends genre, embraced by alternative rock fans for its dark, atmospheric sound and introspective lyrics. It remains a hugely influential album from the early 90s.
- Either/Or – Elliott Smith
Elliott Smith’s Either/Or (1997) is a collection of beautifully melancholic and intimate songs, showcasing his delicate guitar work and poignant lyrics. It’s a key album in the quieter, more introspective side of 90s alternative.
- Superunknown – Soundgarden
Soundgarden’s Superunknown (1994) is a grunge masterpiece, showcasing Chris Cornell’s powerful vocals and the band’s heavy, yet melodic sound. Albums like Superunknown defined the breadth and depth of 90s grunge.
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Odelay – Beck
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Spiderland – Slint
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Repeater – Fugazi
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Rage Against the Machine – Rage Against The Machine
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Definitely Maybe – Oasis
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Blood Sugar Sex Magik – Red Hot Chili Peppers
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Dirt – Alice In Chains
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Ritual de lo Habitual – Jane’s Addiction
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Urban Hymns – The Verve
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Elastica – Elastica
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Live Through This – Hole
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Bee Thousand – Guided By Voices
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American Football (1999) – American Football
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Moon Pix – Cat Power
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Keep It Like a Secret – Built to Spill
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Modern Life is Rubbish – Blur
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Different Class – Pulp
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Tigermilk – Belle & Sebastian
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The Holy Bible – Manic Street Preachers
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Exile in Guyville – Liz Phair
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Jagged Little Pill – Alanis Morissette
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To Bring You My Love – PJ Harvey
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The Downward Spiral – Nine Inch Nails
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Laughing Stock – Talk Talk
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In Utero – Nirvana
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Little Earthquakes – Tori Amos
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Pills ‘n’ Thrills and Bellyaches – Happy Mondays
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Bone Machine – Tom Waits
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Emergency & I – The Dismemberment Plan
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The Lonesome Crowded West – Modest Mouse
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Dog Man Star – Suede
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Music from the Unrealized Film Script: Dusk at Cubist Castle – The Olivia Tremor Control
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Call The Doctor – Sleater-Kinney
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The La’s – The La’s
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Flood – They Might Be Giants
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XO – Elliott Smith
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Out of Time – R.E.M.
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The Colour and the Shape – Foo Fighters
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I Should Coco – Supergrass
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The Great Escape – Blur
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Bakesale – Sebadoh
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A Northern Soul – The Verve
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Californication – Red Hot Chili Peppers
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Homogenic – Björk
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Badmotorfinger – Soundgarden
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Dizzy Up the Girl – Goo Goo Dolls
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Heaven or Las Vegas – Cocteau Twins
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Weezer (Blue Album) – Weezer
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In on the Kill Taker – Fugazi
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Rid of Me – PJ Harvey
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Vs. – Pearl Jam
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Wowee Zowee – Pavement
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Mermaid Avenue – Wilco & Billy Bragg
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Your Arsenal – Morrissey
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Dig Me Out – Sleater-Kinney
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Mellon Collie and the Infinite Sadness – Smashing Pumpkins
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Bossanova – Pixies
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Dirty – Sonic Youth
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The Soft Bulletin – The Flaming Lips
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Let Love In – Nick Cave & The Bad Seeds
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69 Love Songs – The Magnetic Fields
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This is Hardcore – Pulp
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Gentlemen – The Afghan Whigs
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Facelift – Alice In Chains
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X – INXS
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Perfect From Now On – Built to Spill
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Fakebook – Yo La Tengo
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Suede – Suede
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American Water – Silver Jews
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Summerteeth – Wilco
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Radiator – Super Furry Animals
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Star – Belly
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Under the Pink – Tori Amos
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Pod – The Breeders
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Monster – R.E.M.
Just Outside the Top 100
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August and Everything After – Counting Crows
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Bubble & Scrape – Sebadoh
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Electr-O-Pura – Yo La Tengo
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Mellow Gold – Beck
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Everything Must Go – Manic Street Preachers
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Alien Lanes – Guided By Voices
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Deserter’s Songs – Mercury Rev
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Purple – Stone Temple Pilots
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Souvlaki – Slowdive
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Mezcal Head – Swervedriver
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0898 Beautiful South – The Beautiful South
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Vitalogy – Pearl Jam
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Giant Steps – The Boo Radleys
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Diary – Sunny Day Real Estate
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Mutations – Beck
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So Tonight That I Might See – Mazzy Star
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Garbage – Garbage
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Blur – Blur
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Foo Fighters – Foo Fighters
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The Battle of Los Angeles – Rage Against The Machine
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Some Friendly – The Charlatans
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Elliott Smith – Elliott Smith
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Celebrity Skin – Hole
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Electro-Shock Blues – Eels
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New Miserable Experience – Gin Blossoms
Top 100 Greatest Alternative Rock Songs of the ’90s