The 2003 comedy Head of State, directed by and starring Chris Rock, remains a relevant film exploring the then-fantastical idea of a Black man running for President of the United States. This article delves into the movie’s plot, its comedic elements, and its commentary on race and politics in America.
A magazine cover featuring Chris Rock as a presidential candidate.
Chris Rock plays Mays Gilliam, a Washington D.C. alderman who unexpectedly becomes a presidential candidate after the untimely demise of the previous two nominees. The film follows Gilliam’s journey as he navigates the unfamiliar world of national politics, highlighting the stark contrast between his authentic personality and the manufactured image expected of a presidential hopeful.
Gilliam, a champion of the common people, initially struggles to conform to the traditional political mold. He’s coached by seasoned political advisors, played by Dylan Baker and Lynn Whitfield, who attempt to reshape him into a palatable candidate for the predominantly white electorate. The humor stems from the culture clashes between Gilliam’s street smarts and the political establishment’s polished facade. For instance, a scene where Gilliam DJs a high-society party with a classic hip-hop track, causing panic among the uninitiated guests, showcases this comedic disparity.
Chris Rock as Mays Gilliam in Head of State, looking concerned.
The film satirizes the absurdity of political campaigning, with gags about the candidates’ unexpected deaths, the blatant manipulation of public image, and the shallowness of political discourse. The opponent, described as a “war hero and Sharon Stone’s cousin,” spouts the tagline “God bless America, and no place else,” highlighting the film’s satirical approach to political rhetoric. Even the supporting characters, like Bernie Mac playing Gilliam’s brother and running mate, contribute to the comedic chaos with their outlandish personalities and flamboyant attire.
Bernie Mac in a brightly colored suit in Head of State.
Head of State is not just about laughs. It touches on deeper themes of racial identity and political representation. A pivotal scene features a heartfelt conversation between Gilliam and his advisor, where Gilliam expresses the burden of representing his entire race. This moment offers a glimpse into the pressures and complexities faced by minority figures in positions of power.
Ultimately, Gilliam abandons the pretense of conforming and embraces his authentic self, connecting with voters on a genuine level. His victory signifies a triumph for authenticity and a rejection of the established political norms. While the ending might be somewhat predictable, the film’s comedic journey and social commentary make it a worthwhile watch.
Head of State, while a comedy, offers a thought-provoking commentary on race and politics in America. It raises questions about representation, authenticity, and the challenges faced by those who challenge the status quo. The film’s satirical lens allows for a humorous exploration of these complex issues, making it both entertaining and insightful. Chris Rock’s performance as Mays Gilliam solidifies the film’s place as a significant cultural artifact reflecting the evolving political landscape.
